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The first, and obvious, reason to give careful consideration to your color scheme is aesthetic. You want your program to appear pleasing to the eye. Pleasing is in the eye of the beholder, of course. So you have to know your audience. There is a whole science of color in marketing and advertising. Blue is supposed to be the color of trust and wisdom. Pharmaceutical products use it extensively. They want you to trust them. Check the web sites for Ambien, Lunesta, and Sonata. Green is the color of nature and healing. Black is sophistication. Orange is the fall color and evokes strong emotions about home, and holidays, and food. A little of research on the science of color in merchandising and advertising is a good thing. It can t tell you what colors will be best for your application, but it can help you avoid making obviously stupid mistakes, although I wouldn t make a career out of it. In the end, your customers are buying a solution. Bad color choice can ruin your application. But a good color scheme is a break-even proposition. It s the solution they ll be judging you on, not your choice of colors.

James Currier came up with the idea for Tickle (founded in 1999 and originally called Emode) after taking a personality test in one of his Harvard Business School classes. A former venture capitalist with a passion for digital media and social sciences, Currier believed that the Internet could be used to help people learn more about themselves. People could visit www.tickle.com to take several different kinds of personality and selfassessment tests, most backed by scientific research, to understand areas of human behavior (and also to find out what breed of dog they most closely resembled). Tickle was acquired by Monster in 2004 for about $100 million. Shortly after this interview, Currier founded Ooga Labs, a digital media studio that develops consumer Internet applications.

Livingston: How did you come up with the idea for an online testing company Currier: After college, I got an early introduction to digital media before there

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was Internet: I worked in Hollywood for a venture group that invested in companies involved in digital media for the movie industry. A lot of digital content was getting pushed over AT&T s broadband network, which was proprietary at the time. I worked at Star TV in Hong Kong and did more digital media, and got back to venture capital in Boston where the company was investing in the early-stage Internet companies like Infoseek. When I was at business school, I would think about the media companies that were popular at the time like Broadcast.com, Women.com, and iVillage and they didn t make any sense to me. They were basically trying to put old media experiences online. For example, Spinner.com was putting radio online, and they got sold for $340 million. I thought that was crazy.

HLSL Code You still have to define the MultipleTargets technique, which should render the scene to three targets at once. Start by defining the XNA-to-HLSL variables: float4x4 xWorld; float4x4 xView; float4x4 xProjection; Texture xTexture; sampler TextureSampler = sampler_state { texture = <xTexture> ; magfilter = LINEAR; minfilter = LINEAR; mipfilter=LINEAR; AddressU = wrap; AddressV = wrap;}; As always when transforming 3D positions to 2D screen coordinates, you need to specify the World, View, and Projection matrices. Since the walls and floor of the room are textured, you need a texture from which to sample the colors of your pixels. These colors will be saved to the first render target. Next in line are the output structures of your vertex and pixel shaders: struct VertexToPixel { float4 Position float3 Normal float4 ScreenPos float2 TexCoords }; struct PixelToFrame { float4 Color float4 Normal float4 Depth };

I knew the Internet was going to bubble up its own unique media form It was probably going to be user-generated, and it wasn t going to be like anything that we see on the other mediums So I was looking and looking for what that was going to be at the same time I was getting my degree at business school At class one night, they gave us a few pieces of paper and a number 2 pencil, and we filled out circles for a Myers-Briggs corporate personality test, which is something they administer to Harvard Business School students Eleven days later, we got our results in manila envelopes all in black-and-white text with a little graph and soon we exploded into conversation People in that community talked about the test for about 2 weeks at dinner conversations, on the basketball court.

I was about to tell you that soft pastels like those you see in the opening form of The Sleep Advisor (shown earlier in Figure 3-2) are pleasing and inviting At a minimum, they aren t jarring or off putting And so you should avoid primary colors Primary colors may be good for products like laundry detergent and breakfast cereal (Take a fresh look at the laundry soap and breakfast cereal sections the next time you re in the grocery store They re all shouting for your attention) But, of course, you re not competing with a lot of other products for your users attention So a lot of that bold coloration is probably not a great thing for software that someone will be looking at all day But suppose you re writing an application to catalog punk rock music.

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