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Taking the audio level compression and frequency-selective techniques to a logical conclusion, the audio band can be split into say four bands (low frequencies, low-mid frequencies, high mid frequencies and high frequencies) and each individual band subjected to all the nonlinear gain corrections that can be applied individually After gain correction, the four bands are then recombined, creating an audio signal that has enhanced intelligibility and much less noise than would have been obtained with broadband nonlinear gain corrections applied uniformly across the entire audio pass-band Nearly every commercial radio station on air uses signal-processing devices that work this way to enhance their station s output The strident, punchy sound is familiar to any fan of American FM radio programming These signal processors are now available in digital implementations, suitable for use prior to audio stream encoding and also in silicon, for design into streaming media players.

Valuing Washington REIT December 20, 2002

A key requirement of effective collaboration is shared metrics, but all too often these are missing.

The company at the forefront of development of these devices is OCTiV, with their product OCTiMax (see wwwoctivecom)..

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There are some sweetening techniques that are mainly used artistically, simply because they make audio program material sound subjectively better They are effects, more than signal conditionings These include aural exciters, suboctave generators, reverberation devices, and echo-cancellation processes Aural excitation and suboctave generators work to extend the apparent audio spectrum The aural exciter works to synthesize higher order harmonics related to the audio program material It makes the audio program sound brighter The voice-over artist who does all of the Hollywood trailers has a particularly impressive rasping quality to his voice, which audio exciters respond well to Many radio personalities use audio exciters to make their voices more intelligible and to cut through traffic noise The suboctave generator synthesizes low frequency components below the actual program content, making the audio signal sound much more powerful and authoritative.

Price $25.55, Value $24.81 to $17.38, Sell General Description of Washington REIT a Real Estate Investment Trust

The fact is that many companies don t collaborate particularly well, even internally Departments or functions may be unwilling to compromise, even if a proposed concession is for the greater good of the company The idea that successful collaboration will result in lower overall costs or improved service levels can be difficult to substantiate, so it may be viewed with skepticism A key requirement of effective collaboration is shared metrics, but all too often these are missing Internal collaboration actually can be more difficult than external collaboration due to a range of complicating factors For instance, a drive at the highest levels of a company to institute accountability for performance at the business unit or functional level can hinder effective collaboration.

It is like turning up the bass on a graphic equalizer, except that it actually creates bass components to emphasize The addition of artificial reverberation can serve to create the effect of a more pleasing audio space, thereby enhancing the audio program material Because it adds a diffuse sound field, it can actually help the encoder compress the signal more efficiently, since it makes the audio signal somewhat more statistically consistent, with adjacent audio waveform segments more closely resembling each other (though in extreme cases, added reverberation can make the signal harder to compress, because of the added apparent randomness of the reverberant signal) The reverse process is echo removal, wherein the signal is processed to remove unwanted delayed reflections of the desired audio program.

If the original recording has separable quadrature components (such as with crossed microphone pair stereo recording or middle/side recording techniques), removing the echoes is much easier, algorithmically, than if cross correlation is needed to identify the echoes for removal When the original audio signal is awash with echoes and reflections, it is sometimes desirable to remove those to enhance intelligibility and clarity Occasionally, audio digitized at one sample rate must be resampled at another Unwary operators can introduce a great deal of noise and distortion in this process Firstly, the audio sample clock needs to be synchronized to the new sampling time base, so that there is no drift in the relative sample rates The simplest sample rate converter simply converts the original digital signal back to the analog domain and then re-digitizes the audio at the new sample rate.

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