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The Clip Organizer. When you re connected to the Internet, you get the whole collection as you browse. Most of these are animated GIFs, rather than real videos. The Internet in general. There are millions of interesting video clips on every imaginable subject. Use the search term video clips plus a few keywords that describe the type of clips you are looking for. Yahoo! is a good place to start looking ( www.yahoo.com ). Some clips are copyrighted or have usage limitations, but others can be used freely; check the usage information provided with the clip.

Photoshop stores all its color mapping commands under the Image Adjustments submenu (The one exception is Photoshop CS3 s Camera Raw dialog box, which can be accessed only by opening a Camera Raw file, which is covered later in the chapter) Basically, these commands fall into three categories: n Color mapping: Commands such as Invert and Threshold are quick-and-dirty color mappers, swapping, for example, the original colors for their color opposites (Invert) They don t correct images, but they can be useful for creating special effects and adjusting masks n Easy color corrections: Brightness/Contrast and Color Balance are true color-correction commands, but you may feel that they sacrifice functionality for ease of use By ease of use, we mean that the corrections are achieved through a few simple sliders, as shown in Figure 182.

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By sacrifice functionality, we also mean that the corrections are achieved through a few simple sliders Too few But you will end up using them from time to time, even if you think they re painfully simple and wish they offered more or more nuanced controls One thing that is improved in Brightness/Contrast in Photoshop CS3 is the addition of the Use Legacy checkbox By turning this on, you can elect to clip extreme highlight and shadow detail It s off by default, but when you turn it on, changes to brightness and contrast are made on a non-linear basis mid-tones are effected to a greater extent than highlights or shadows unlike the CS2 and previous versions of this tool, which affected highlights, midtones, and shadows to the same degree as you dragged the slider/s.

A monochrome (single color) monitor has phosphor of only one color. Text characters are formed very much the same as characters on a dot-matrix printer, as illustrated in Figure 15-4. Although this illustration is exaggerated a bit, the concept is accurate. Earlier CRT monitors and video display standards define text character capabilities in terms of the size of the grid used to define a text character, very much like how a

n Expert color corrections: The third, more complicated variety of color-correction commands provides better control, but they take a fair amount of effort to learn Levels, Curves, Hue/Saturation, and Shadows/Highlights are examples of color correcting at both its best and most complicated This chapter contains little information about the second category of commands for the simple reason that so little information is required You issue a command from the Image Adjustments submenu, and either the automatic adjustment takes place with no interaction required from you, or a dialog box opens, you drag a slider, you see if you like the previewed change, and if so, you click OK If not, you close the dialog box without making any changes, and that s it.

synchronization information: With this option selected (as it is by default), Dreamweaver automatically stores details for files in both the local and remote sites to determine which is the most recent. upload files to server on Save: Choose this option to store files locally and remotely simultaneously. Under most circumstances, I do not recommend that this option be selected because the risk for uploading unfinished work is too great.

Now, it s important to state up front that some of the quick and automatic adjustment tools aren t going to wow you, even when you consider their incredible speed and ease of use Some exceptions: Auto Color, which usually does a pretty good job of adjusting an image s midtones and removing color casts; Auto Levels and Auto Contrast, which are decent quick fixers; and Variations, which offers deceptively straightforward sophistication; this last one s not really that automatic compared with the others, in that you have several choices of color and lighting adjustments that you can make and you can confine the adjustments to specific ranges of color No matter how you end up feeling about the individual commands and the three types of adjustments that can be made, you re about to master them so grab a really dysfunctional photo and let the color therapy begin..

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