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scalable, player-neutral streaming media format. The goal is to allow a choice of products and solutions from different vendors, assured of interoperability. The preferred technology is MPEG-4, accommodating up to 1.5 megabits per second bit rates, with RTP (Real-time Transport Protocol), RTSP (Real Time Streaming Protocol), and SDP (Session Descriptor Protocol). In fact, ISMA states that it is implementing ISMA 1.0 based on existing MPEG and IETF (Internet Engineering Task Force) standards. It is interesting to note the similarities between QuickTime s media container format and that of MPEG-4. Apple is positioning its latest desktop computers as multimedia creation tools. The company wants to see desktop video production become as commonplace as desktop publishing already is. To this end, Apple ships Final Cut Pro, a high-specification nonlinear editing package based on QuickTime technology. The company has also provided the streaming media world with its open source Darwin streaming media server. Apple has not, to date, announced a digital rights management solution. Apple also has some content partnerships, with film trailers from top Hollywood studios and short and live programs from several top television networks, available for viewing (but not copying) on the QuickTime Web site. The company appears firmly committed to the development of applications for digital media, particularly streaming media.

Enterprise connectivity business and transactional systems that are linked, allowing data to be seen and transported to different entities within the supply chain Distributed decision making bidirectional information flow and defined business rules used to manage ongoing changes in demand and supply

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Originally a vendor of what was arguably the best codec available for the QuickTime format, this small company is highly focused on video quality, developing codecs that compete favorably with the best from Microsoft and RealNetworks. In a codec shootout, published by streamingmedia.com, dated November 2001, the reviewer concluded that video quality among these competitors is so close it probably shouldn t be taken into account when choosing a technology. Although Apple is known to have a codec of its own in the works, based on MPEG-4, for my money, what Sorenson has achieved is mightily impressive. In line with many other industry players, Sorenson, has an ISO-compliant MPEG-4 codec in development.

EXHIBIT 8-12

The developments that take place under the auspices of this body are rapid and could fill a book of their own. The group has an impressive

Real-time performance management real-time, accurate information available to enable rapid and informed decision making

2

the third quarter of 2001. Two principal reasons for the decline in revenue are a general drop in interest rates and the terrorist attacks of 9/11, which greatly disrupted operations. Merrill s corporate headquarters are in a building that is located only two hundred yards from the twin towers of the World Trade Center. Merrill Lynch s earnings before income taxes grew 36 percent from 1999 to 2000, and then dropped 75 percent between 2000 and 2001 a very difficult year. During the third quarter of 2002, earnings before income taxes were about the same level as in the third quarter of 2001. Let s examine Merrill s growth potential. Of the 19 analysts whom Zacks polls that cover Merrill, 3 rated it a strong buy, 8 rated it a buy, and 8 rated it a hold. A consensus analyst expectation of earnings-pershare growth over the next five years for Merrill was 13 percent. For our base-line valuation of Merrill Lynch, we used a 13-percent growth rate. The growth rate is the assumption that we vary to see its affect on intrinsic value. For our low growth scenario, we used a growth rate of 5 percent, which produced a conservative valuation for Merrill.

track record, with MPEG-1 and MPEG-2 now firmly established standards (although many pieces of MPEG-2-compliant equipment from different vendors fail to interoperate). MPEG has always managed to create standards that are future-proof, addressing issues that often have not been even addressed, let alone solved, by equipment vendors. The group s latest offerings, MPEG-4, MPEG-7, and MPEG-21, will provide developers with several years of fun yet, since they allow advanced scene description and capture. Some of the technologies required to fully implement the standard are still laboratory curiosities. If a criticism can be leveled, it is that MPEG s standards are too complex and all encompassing, leaving much scope for design incompatibilities (whether or not intentional) when products are developed (I speak here as a developer). This is one of the reasons why industry alliances like ISMA come into existence: to ensure interoperability in a wider, systems sense, while focusing on standards compliance. That said, the standards tend to be popular and well supported. Only time will tell if this remains true for the streaming media applications relevant to MPEG s standards.

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